Here's some portraits I've done with both: Canon 6D Mark II with a Tamron SP 85mm f/1.8 VC. Fujifilm X-T3 with a Fuji XF 56mm f/1.2 R. Personally, I don't think either is better than the other in any significant way. The images they produce are equally as good, and it'll be more about the photographer, at that point.
Yes. Here's why I still happily shoot with the Canon EOS 6D Mark II It's only 26.2MP and it doesn't shoot 4K, but the Canon EOS 6D Mark II is still a damned good camera – and one that holds its own, even in 2022, despite the mirrorless revolution that has taken place.
In 4K recording, the C300 Mark II can only output 30fps. Step down to 2K however, and you can record up to 120fps. You can read our guide on Slow Motion for the C300 Mark II to learn more. In Conclusion. The Canon C300 Mark II is an excellent choice for any shoot or production that wants a top-notch 4K pipeline. Manual Setting. Images may be affected by banding if you shoot under light sources that flicker at high frequencies. High-frequency anti-flicker shooting enables you to take pictures at suitable shutter speeds for high-frequency flickering, which minimizes the effect of this flickering on images. Caution. Set the shooting mode to Tv or M. For videography get a Sony, the 6D is starting to get really old and Canon in video isn't the best, especially these older models which are really limited even with Magic Lantern installed Also you won't be able to use the 18-55 and 55-250 on a 6D because these are EF-S lenses and they only work on Canon's APSC DLSRs (so no 5D, 6D and 1Dx) If you are primarily interested in video filming with your DSLR, the 5D IV offers more video features – including 4K recording – that will make it a much better option compared to the 6D Mark II. Summary. The 6D Mark II represents a huge step up from its predecessor, and its upgraded features along with a budget-friendly price make the 6D And the compromises in the 6D II are largely the same as those made by the 6D before it: The larger sensor is offset by a lower-spec autofocus system borrowed from the EOS 80D, a lack of 4K video, and a shutter mechanism that tops out at 1/4000 sec, to name a few. Processed to taste from Raw. The downside to shooting 4K on the Mark IV is that Canon chose to take the 6720 x 4480 sensor and just use the center 4096 x 2160 pixels. There's a cheaper-still full-frame Canon EOS 6D (first

Video. Although the EOS 6D Mark II can only record video at a maximum of Full HD (1920 x 1080) quality at up to 60fps, it’s the first Canon camera to offer a 4K time-lapse movie mode. In addition, there’s an intervalometer to enable more diverse movie making. In another first for a full-frame EOS camera, the 6D Mark II has built-in 5-axis

Pegged to be the mirrorless equivalent of the 6D Mark II, the EOS R6 could fall at the first hurdle when it comes to stills resolution and extra features that is simply lacks. It can shoot 4K
Although it won’t be the first choice for action, wildlife or sports photographers who like to shoot faster than 6.5fps, the way in which the Canon EOS 6D Mark II delivers punchy images
Compare Canon 6D Mark II vs Pentax K-1. Canon EOS R. Pentax K-1. $1499. 35mm. Tilt-swivel screen. Shoot 4K video. $1800. 35mm.
So, is it such a bad thing that the 6D Mark II doesn't have 4K? No, because it's a camera designed with photographers in mind, not filmmakers, and that's okay. There were a lot of us who were eager to see its video features and disappointed to see that 4K wasn't one of them, but—you know—c'est la vie, you guys. The 1D X II uses full sensor readout with pixel binning when shooting at 1080p, but there's a 1.34x crop factor when shooting in 4K. It appears that Canon is using a native crop from the sensor for 4K capture, which should result in nice 4K footage (spoiler: it does), though at the cost of some low light sensitivity and ability to shoot at wide hDvn8c.
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